Illustrator & animator
Hi, I'm Ollie. I draw loud things.
Illustration, animation, and murals for people who'd rather be remembered than tasteful. Currently booking projects for the fall.
The good stuff
Recent work
Commissions
Things I make
Fixed quotes, honest timelines, and files that survive real-world printing.
Editorial Illustration
Spot and full-page illustration for magazines, newsletters, and websites — sketches in three days, finals in a week.
Album & Cover Art
Covers, gatefolds, and single art with vinyl-ready print files. Includes a social crop kit so the art survives every platform.
Looping Animation
Hand-drawn loops for launches, tour visuals, and social — 6 to 15 seconds of wobble, delivered in every ratio you need.
Sticker & Merch Packs
Sticker sheets, tees, and tour merch drawn to survive print at gas-station quality and look great anyway.
Murals
Interior walls for shops, studios, and offices around the Pacific Northwest. Site visit, scale mockup, then paint.
Who's drawing
One human, many markers
I started drawing gig posters for bands who paid me in door money, and honestly the brief hasn't changed much: make people stop walking. Since then the posters became album art, the album art became animation, and the door money became a real studio practice — but every job still starts on paper, with markers, before anything touches a screen.
I work solo, which means the person you email is the person who draws. Projects run in two-week sprints with a sketch round, a color round, and a final round. I'm fast, I'm honest about what I'm wrong for, and I will absolutely talk you out of a safe idea.
Receipts
People seem happy
“We asked for 'fun but not childish' and got the single most-shared post in our label's history. Ollie's first sketch was the final concept.”
“The mural turned our entry hallway into the most photographed wall in the building. Sketch to paint in three weeks, zero drama.”
“Fast, funny, and ruthlessly professional about deadlines. The animation loop ran our whole launch campaign and still holds up.”
FAQ
Before you email
What does a project cost?
Starting prices are listed with each service, and every quote is fixed before work starts — usage, rounds, and deadlines included. Rush work exists; it costs rush money.
How many revisions do I get?
Every project includes a sketch round and two revision rounds. Most work lands inside them — big direction changes after sketch approval are re-scoped honestly instead of resented quietly.
Who owns the work?
You get the usage we agree on in writing — most clients take exclusive commercial use in their channels. I keep the right to show the work in my portfolio unless we agree otherwise.
Do you take small projects?
Yes. Sticker packs and spot illustrations are how half my favorite client relationships started. The only projects I decline are the ones that want someone else's style.
Let's make something
Got a weird idea? Good.
Tell me what you're making and when you need it. I reply within two business days, usually with a sketch already attached.
Contact